Tuesday, December 15, 2015

2005 Scale Model Project: "Wizard's Retreat": Part 3 of 4 - Water, Terrain Details, and the Wizard's Abode

Recap: 

In 2005, while I was busy attending the University of Southern California to pursue a degree in the Cinematic Arts: Production, I took a class for Art Direction. As our final project (which was worth 50% of our grade), I had to create a quarter-scale miniature model. I was more than a bit ambitious with my model, and I put a ton of work into it, which I enjoyed sharing with my friends over on LiveJournal at the time.  Here's a quick peek at the exterior of the end result!
 
 

In 2006 I created a series of three detailed posts which went through each step of the project. Unfortunately, since I was so busy, I never actually posted a final blog sharing the final stage and finished results, so I thought it would be great to post everything over here on my blog for posterity, and to finally create that final blog after ten long years!

As such, I hope you enjoy this flashback onto an early project of mine. While it's not sculpture in a traditional sense, it's projects like this which ignited my imagination and fed my desire to learn and improve, and this project is incredibly close to my heart.

I tended to be even more verbose back in my LiveJournal days, so I've shortened and edited some of the original text below from LiveJournal. This is the third of four blogs about this project, and you can access all available parts at the links below. These are the original images I posted in 2006, so they're also a bit on the small and blurry side, but there will be some nicer ones in the final blog: promise. :)

Enjoy!



Scale Model Project: "Wizard's Retreat": Part 3 of 4 - Painting and Refining the Base




At this stage what I was doing was trying to create additional realism, so I was using a variety of consistencies and colors/grains/textures of ballast, which is a sort of lightweight faux rock. I put some around where my rock faces were (since real rock faces fall away over time) and I put a lot more along/in the waterway. I paid particular attention to trying to make it seem as if the water had washed rock down the waterfalls over time, so in that bottom area, there are some dead logs and other debris that have helped to form a makeshift sort of "pool" of water. In that pool, I planned for there to be fish as well as lily pads and that sort of thing since the water would be slower moving/still there. :)

It was amazing how much planning ,time, and money all this was taking, but I was certainly in a "spare no expense" mindset at the time, and I viewed this as a portfolio piece for once I graduated college.

 

You can see some of the river plants I was working on here. Those long stem plants sticking way out of the water were there so I could keep track of the positions where the final flowers would be situated. All of those flowers are about twice the size of the head of a pin. We are talking small, and all of them were put together by hand: each separate petal and layer, down to the little bits of yellow pollen inside. I can still remember how much it hurt my eyes to make each of them.

Some of the landscape glue was also still wet at this point, which is why the glue appears white above rather than clear. I also worked on texturizing the riverbed at this point.
 
I actually did all sorts of weird stuff for realism down to some light green powder I blew on the right side of the riverbank there to be moss. :) I did something similar along the top of the rock faces, but unfortunately it doesn't appear as though I took any photos of it at the time, because it was starting to get down to the wire.

This is the future area where debris would have collected to form a sort of pool. I thought that would be something neat to have the bridge cross over it there. The final water level was supposed to be a little higher than where those logs cross. I even had to age and stain that wood so it looked like fallen logs. Regular sticks from outside don't cut it thanks to the scale issue.
   

This is a view looking down at the empty waterway, including a log that's precariously close to the crest of the waterfall. If you look carefully you can see the start of a deciduous tree on the lower left. You can also see where two smaller creeks converge before they reach the first waterfall.

I want to point out that each single rock had to be glued in place individually as this project would have to be driven all the way to my college for evaluation, so it had to be completely secure.


This was when I made a horrid discovery: the faux water I wanted to use was meant more as a coating than for depth as I intended to use it. I discovered that it was recommended for 1/8 of an inch deep every 24-36 hours, or else the layers below would never fully dry.

This created quite a problem because not only was the river intended to be a good 1 -1 1/2 inches deep in areas, but like a real river, it all ran DOWNHILL. So when the base was finally dry (and that included the glue from the plants), the liquid poured down the waterfalls rather than staying in place.

Also, at this point I believe there was only about a week of time left until the project was due, which made the water situation even more...problematic. I hadn't thought the water would be such a big issue, but as with everything: it was a learning experience I had to overcome. Therefore, at this point I halted progress on the actual treehouse to try and rush the base so that I could put in the artificial water once every 24 hours and pray I could get it sufficiently deep in time.

In the image above you can see two 1/8 inch layers of the liquid water. Which.... you might be able to guess wasn't very deep. It looked like there was a steady trickle, but not exactly something that would require two raging waterfalls.


Due to the complete lack of time, I realized if there were going to be ANY fish, I'd need to put them in ASAP. So, I sculpted this little fantasy koi (It's a WIZARD's retreat, after all). He is ridiculously tiny, and was a pain to sculpt, but alright, all things considered. :)


Next I put more work on the greenery and rocks, and I solved the "water running downhill" problem by using some tacky clay to block the waterfall faces. :) Take that, gravity!

There were are a few more layers of the artificial water shown above, and as you might be able to see: it's cloudy until it dries (and it wasn't drying completely within 24 hours, because I wasn't giving it enough time to dry because I was running out of time...).

At this point I also started on the walls of the tree house. As if I couldn't have made things ANY more difficult on myself, most of the walls were curved, so I couldn't use matte-board or something to make the walls properly, so instead I ended up building the walls stone-by-stone by hand.

That's right: every stone you see is individually placed. And trying to regulate the curves and the thickness and making it structurally sound? It was tremendously harder than it looks. If you see the tape along the front curve: that is actually where one of the cut away walls was going to be, so it could not be directly attached to the base. The intent was to make the wall removable so that I could pull the wall off if I wished to shoot into the interior of the finished miniature.

So I had to get the clearance as close as I could so it look like the wall was continuous, even though in reality it wasn't. I also had to make it look as if it was continuous by making the spots were it nearly connected hidden and concealed. I ended up offsetting the rocks along the edges sort of like the grooves on a key.

The "stones" are ballast as well, but I bought bags and bags of the stuff just TRYING to find suitable rocks for the walls. It took days and days of straight work just to get that much done because I was also having to wait on the glue to dry to keep things structurally sound as I went.


Here the dragon koi is in place in his second layer of surrounding water. While it was still cloudy at this stage, I was praying I could get the water level high enough that it would submerge the koi rather than have him skimming the surface like some sort of mutant shark. In the end, the lower pool was due to be nowhere near as deep as I wanted it since I could only put in 1/8th of a bit of water at a time. It was frustrating to say the least!

At this angle, you can see some of the lilypad flowers I made that were formed to appear open or closed.

And each of those flowers? They took me about an hour to craft each single one! I recall removing some of the other flowers temporarily so I could add more yellow pollen to the open ones to ensure I didn't accidentally get the powder in the still drying liquid water.


....oh man the memories this shot brings back. You can see bags of ballast there, and all sorts of containers of wood stain and paint trays, to different mediums to hold the stones in place, exact-o blades, rulers and just... wow that was a mess.

At this angle you can see the tape of the break away wall, and for the first time: stained glass windows! Those suckers had hand-cut moldings that were then painted and aged, and then I cut acetate to put in the "frames" which I then affixed and used a brand of glass marker and frosted glass paint to make it look like stained glass. Please keep in mind: I didn't have instructions of a guide for any of this: I had to figure out creative techniques for myself.

At this point I also realized I had to figure a way to make the windows sit IN the wall... which was a lot harder than it sounds. Especially to get them to sit "straight" when the rocks below them were all bumpy and un-fileable.

I went with a dark green and sort of burgundy color scheme. The little knight (which was: larger than a real person would stand), continued to serve as a temporary stand-in for scale purposes.


When looking back at these photos, I found it actually sort of strange at first that there were so few in progress shots, but that just goes to show how busy I was at the time. What you see below was days of work later, where I was trying to find ways to get the windows to stand in place on their own, but you can see the general look of the abode starting to take shape.

To the far right is the kitchen, and the far left is the edge of the Globe Room where the wizard can freely practice his spells. In the back is the door frame of the front door!


This window is so incredibly small in person. Under an inch high, I believe. Yet I frosted and aged each individual diamond pane. I also tried to make the painted acetate look like it had a subtle variation of color, like real stained glass does.

 

This is the front of the wizard's retreat some days later. I was way behind time on this, so I was starting to get freaked out I wouldn't even get to the interior in time. So I....didn't sleep much. I was finally getting to the point that some of the windows were nearly getting roof clearance too. Actually, aside from the base of the windows, this was one of the harder steps because I had to find a way to make the stones surround the window molding, which was extremely thin, so it required some clever crafting on my part, especially over those sort of pointed windows that lined the curve of the dining room. I also aged the glass and edges of the frames inside the windows a little.

It really didn't' help that the walls were curved, either. curved walls + "straight" windows = recipe for frustration.

In the background the bathroom/bedroom and front door share another cut away wall. You can also see the water level of the river is slowly rising, little by little.

 
This is a rear shot with the rear cut away wall removed so you can see the progress/development. This is where I determined the idea of a second story was out of the question at the moment considering the current scope of the project and time remaining. I just remember thinking how the dry time of that medium was horrible.


This is also the stage where I remembered that I needed to craft the continuation of the tree house up through the house. So I sculpted it out of more foam, and then started to layer on the paper mache strips while I tried to juggle adding more water to the river, and ever more rocks all over the retreat. If I'd cursed all the rocks on the base one-by-one, that didn't even vaguely compare to my frustrations on the actual building looming overhead.

Anyway: in the shot above the tree is upside down. That little opening on top is the nook where the cozy den would later be situated within.


At this point I finally got a proper scale miniature for the retreat, so that new wizard in the back was finally to scale. At this stage I was finishing up the walls, and I began work on finishing the tree that would support the Globe Room. Here, you can see work done on the trunk and roots, as well as the start of the branches.

 
I was slowly running out of time on the water, so I had to call it "done," so it would (hopefully) turn a bit clearer before the time the project was due for grading. So at this point, I added handmade lilly pads that I painted with acrylic and sealed. I wasn't totally done with the flowers yet, but at least the dragon koi was definitely underwater.

I might have gone a bit overboard with the lily pads, but I regret nothing. ;)


More days passed and I eventually cut away the clay along the riverbed/waterfalls, and (offscreen) worked to prep the waterfalls themselves. I also finished the walls/windows/doors, and in this photo you can see the front breakaway wall is in place, as well as the rear wall (which is also breakaway). I worked on a quick way of constructing the limbs and branches of the Globe Room tree that would act as a sort of canopy for the whole area because time was almost up.

At this point I also placed the continuation of the large tree trunk on top of the main structure so you could get a look at how it would go along when completed. It only has its first layer of paint on here, which is why it doesn't yet match the base of the trunk below it. I worked at this point to texture that as well as to hollow out the area where it is open in the den room in the middle. There is also a branch sticking out the side there to give an additional sense of scale.

 
Here is another view of all of those incomplete elements. Along the bottom right you can see where I was starting to plan out the stairs, which was another area where curves = very bad idea). Unbeknownst to myself, I made this project so very difficult on myself for art's sake.


Next I began using water effects to create and bulk up my waterfalls, as well as to add the sort of ripples in real moving water. At this point it was still wet, so it's not entirely clear but.... it was really neat to finally see! That log on the topmost waterfall appears to hold back some of the falling water.I like little unexpected things like that. :)


At this point there was more work on the Globe Room's tree, as well as a bridge at last! The pieces of wood seen here are all individually cut and stained, and I made sure they were just the TINIEST bit uneven, like a real handmade bridge would be. You can also see the start of stairs (also real stained wood) leading from under the archway root! :D

Though you can't see it: the final white and pink lily flowers were finally in place here as well.

Up on the edge of the Globe Room you can also see piece of furniture! A wardrobe of real wood that was individually put together and hand-cut/stained in a cherry stain. Many tweezers were involved. This wizard is rather well-off, so it figured to me he'd have such nice pieces of furniture. There are even tiny handles and a mirrored front! Pieces like that took so long to put together.

On top of the wardrobe is a potted fern, also handmade. I put little wires under the leaves so I could bend them how I wanted. (Sooooo tiny....) I had all array of magnifying glasses, tweezers, and pins for this stuff.

I realize this all seems so "quick" to post in comparison to how long it actually took, which is so many dozens of hours over weeks and months that I wouldn't even be able to keep count.

I hope folks are enjoying seeing this take shape. :) Apologies that I was a bit slim on photographing these later stages: I was too busy crafting it to even think to pick up my camera.


We're getting close! :) Stay tuned for the final blog, which is brand new and will be Part 4 of 4!
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Friday, December 11, 2015

The Tweet That Spawned Story Sharing

How It All Started


So the other night I saw a few people from Facebook and Twitter post saying that for every Like, they would share something about themselves. The idea of such a social experiment sounded interesting to me, and I decided I'd do the same thing on my art & writing Twitter, except instead of sharing information about me, I'd share information about my stories, characters, and their world. I figured since it was pretty late at night, perhaps I'd get maybe a half a dozen Likes to prompt sharing, but... my original tweet got far more attention than I ever expected.
I received 64 Likes within the first few hours, which eventually hit 88 Likes! I soon found myself spending the evening sharing art and information. Since Twitter can be a bit of a tricky best to follow, I decided to put my first batch of replies together into a blog so that they can be more easily digested. I hope you enjoy them!

The posts below include a great deal of art that is my own, as well as pieces that were gifts or commissions from a variety of talented artists. Those pieces can seen below on Deviant Art where they can be enjoyed in their full glory.


My Responses
































































*****
Since the original Tweet has even more Likes now, I'll have to write up a few more facts to share soon! :)
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Sunday, December 6, 2015

[Guide] Materials I Use for Sculpting

I'm often asked what materials I use for my sculptures, so I decided to put together a short guide! For a tutorial on one of my sculptures, please refer to my [Walkthrough]  "Steinir" Dragon Sculpture, which includes a FAQ, or any of the walkthroughs below:

  

Walkthroughs:


- "Steinir - Dragon Sculpture"
- “Butterscotch” – World of Warcraft Fan Art Yak Soft Sculpture
- World’s First Butterfly Cosplay: Monarch Brightwing
- "Sashah's Song" Werewolf Enchantress Sculpture (WIP)

  

Materials:
 

Polymer Clays:

Two-Part Epoxies:

Non-Curing Clays:

Sculpting Tools:

Armature Wire:

Eyes:

Paint:

Misc.

  • Aluminum Mesh
  • Aluminum Foil
  • Wooden Base
  • Needle-nosed Pliers and Various Tools
  • Two-part Plumber's Epoxy Putty
  • Hot Glue Gun and Glue
  • Tape Measure
  • Turntable
  • Sculpey Clay Softener
  • Clay Thermometer
  • Various Paint Brushes
  • Various Glass Bottles
  • Various Tupperware Containers
  • Oil-Based Wood Stains
  • Bottled and Spray Varnishes



Please let me know if there's anything I've missed so that I can add it to my guide!
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Monday, November 30, 2015

2005 Scale Model Project: "Wizard's Retreat": Part 2 of 4 - Painting and Refining the Base

Recap: 

In 2005, while I was busy attending the University of Southern California to pursue a degree in the Cinematic Arts: Production, I took a class for Art Direction. As our final project (which was worth 50% of our grade), I had to create a quarter-scale miniature model. I was more than a bit ambitious with my model, and I put a ton of work into it, which I enjoyed sharing with my friends over on LiveJournal at the time.  Here's a quick peek at the exterior of the end result!
 
 

In 2006 I created a series of three detailed posts which went through each step of the project. Unfortunately, since I was so busy, I never actually posted a final blog sharing the final stage and finished results, so I thought it would be great to post everything over here on my blog for posterity, and to finally create that final blog after ten long years!

As such, I hope you enjoy this flashback onto an early project of mine. While it's not sculpture in a traditional sense, it's projects like this which ignited my imagination and fed my desire to learn and improve, and this project is incredibly close to my heart.

I tended to be even more verbose back in my LiveJournal days, so I've shortened and edited some of the original text below from LiveJournal. This is the second of four blogs about this project, and you can access all available parts at the links below. These are the original images I posted in 2006, so they're also a bit on the small and blurry side, but there will be some nicer ones in the final blog: promise. :)

Enjoy!



Scale Model Project: "Wizard's Retreat": Part 2 of 4 - Painting and Refining the Base



   


At this point during the project, I ended up seeking advice from train model-builders, but unfortunately they didn't really have answers to the specific questions I was asking. This led me to looking up whatever YouTube videos and DVD I could find (which wasn't many at the time, considering it was 2005). Amid all my research, I did get information on what sorts of paints I should be using to make the terrain look as realistic as possible, and from what I gathered, it involved a lot of layers of build-up.

 I started by coating my rock faces with a sort of gray and black medium, letting it run and "be natural," while I coated the tree's bark with a sort of red and burnt umber. Of course I hadn't thought ahead that papermache, even when dry, is still affected by water so... that was a bit of a fight. :-/ Live and learn!
At this stage I was wondering if all the countless hours I'd spent on this thing was going to be ruined outright by the paint but I kept on going and painting in loose washes as a video had suggested! At this stage I really disliked that everything appeared so "sloppy," but I was told it was the only way to get all the rocks and such to look "realistic" from a miniatures perspective. I tend to be someone who is very perfectionistic and detail-oriented, so I was struggling to let gravity fill in the nooks and crannies rather than trying to go in and go every minutiae individually.


 


I ended up adding a bit of brown into the mix because it seemed more realistic on the rock faces. Anywhere where I imagined there might be exposed rock, I used the same treatment. Considering the scale of this miniature, these cliff faces would also be huge!

The lumps were pleasant, but at this stage I was having a lot of trouble imagining it "completed" with grass and all. Somewhere around this point I'd also realized I should pick out what season it was for the diorama, and eventually settled on late Spring.

I really don't know why I wasn't using a tripod for these shots, but my apologies for the blurriness as well.


 

Next was the topsoil! At this point I had to define where there was rock, earth, or grass, so that I could properly treat each area. At least the tone made it look a little more cohesive, and I could really start to see the rock vs. soil better! Also, I added a second layer of darker stain over top of the tree/roots to make them "pop." Those dabbles of gray on the far right are where there are rocks in the riverbed. :)


 

During this detailing stage was when, for the first time, I started to see everything come together. I'd seen SO many horrible miniatures and models in my time, and I was insistent to use a variety of ground cover so that it would read as earthy and "real" rather than just one shade of artificially bright green. So, with the aid of some scenic cement and sealant, I went to work sprinkling and mixing the base layer of ground cover.
I made a "path" of "darker "dirt" where I planned the bridge to cross the river, and then I also went and put some thicker textured material down to sort of serve as underbrush. With the topsoil and rock faces peeking through, for the first time, I could finally see the vision in my head becoming a physical reality, and it was exhilarating! 

 You can see all the hues of green and browns I was using, as well as the various textures of the materials to try to simulate different environments surrounding the roots and rocks and such. I recall this being a very, very fun stage. :)


 

Above is a view looking over the future river/waterfalls. Those powders got everywhere, too! I remember having fun trying to figure out how earth might crumble around the rock faces.

I was trying not to focus too much attention in any one area, rather: I tried the world the piece as a whole and add different colors and textures all around the piece as I looked at it from different angles rather than just its "hero angle." That is one thing I've slowly been growing used-to as an artist: things usually turn out much better if you work the piece as a whole rather than focusing too much love and attention in a tiny area at the cost of the bigger picture.

In any case, at this point I started to work some of the riverbed as well so it was appropriately colored and textured to fit in with the surrounding areas.


 

During this next stage I put in lots of bushes and foliage, as well as some trees (including a weeping willow!) as well as some "flowers."

"Happy" landscape. :) Isn't it crazy seeing how far it's come since being a pile of foam?



Above is a clearer shot of the root-archway. I loved the variation in tone, color, and texture that was starting to come together.

At this point I also first started thinking about debris, so I started gluing that down too. That small tree in the background would be about 30-40 feet tall, so that central one would be simply huge in comparison.

The tone of these old photos is much too red, but I think you get the idea. I remember really liking how broken up and natural the landscape was turning out. In the last photo I was pretending to look out across where the future bridge would be, that would lead down a path under the archway and up stairs encircling the tree. but oh: I was still a ways off from there! :)





And here is where things started to get even more interesting, because this project wasn't simply to be a nature diorama: there had to be a Wizard's Retreat built up atop that large tree!

The white shape on the left is the central base of the second tree which would one day support the outdoor patio area of the home. Inside the secondary supporting tree was a dowel that had been cut and textured. The large platform lying atop it was to be the floor of the tree house which was cut with a band saw and then sanded and stained to try to age it a bit so it would look like it fit in, scale-wise, with what would be the future house. There is actually a miniature man standing by the archway for scale, but he's a bit too large to be truly to scale. He'd be about 7 1/2-8 feet high, but he worked well to give myself a general sense of scale for how the project was progressing.

The floor of the treehouse is pretty high up there. It was to keep it out of the reach of critters and unexpected (and unwelcome) guests. The scenic views probably didn't hurt either. ;)



This view is is looking down from the top waterfall. I started to lacquer in the base colors of it (and it just so happened to be reflective at this point). The back side of this model was never meant to be actively shot, but that din't mean I was going to leave them bare!



 

The oversized miniature figure under the archway would probably say "I'm really tall for this scale, but I still wouldn't hit my head!" You can see where I added the yellow flowers growing off the rocks, as well as some fallen logs. I was constantly adding more colors/textures to try and liven things up and diversify the setting.




And we're just getting started! :) Stay tuned for Part 3 of 4!
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Wednesday, November 25, 2015

'Friendship' Dragon Sculpture Now for Sale on eBay

Sculpture: "Friendship"


'Friendship' - Dragon Sculpture - Completed on October 31, 2015

My original dragon sculpture "Friendship" is now up on eBay! I hope she finds a good home for the holiday season. :) You can learn more about her in this blog post.

Auction Here -> http://www.ebay.com/itm/291623709073

 

 

Thanks for reading!

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